上海视觉

上海视觉 ›› 2024, Vol. 0 ›› Issue (4): 36-42.

• 理论研究 • 上一篇    下一篇

沉浸式演绎在非遗保护传承中的影响机制探究

陈玥伽, 范玮强   

  1. 上海视觉艺术学院,上海 201620
  • 出版日期:2024-12-20 发布日期:2025-03-20
  • 作者简介:陈玥伽(1992— ),女,德国罗斯托克音乐和戏剧学院博士,现为上海视觉艺术学院讲师。研究方向为沉浸式综合演绎。
    范玮强(1993— ),男,澳门科技大学在读博士,现为上海视觉艺术学院讲师。研究方向为戏剧影视学。

Research on the Influence Mechanism of Immersive Deduction in the Protection and Inheritance of Intangible Cultural Heritage

CHEN Yuejia, FAN Weiqiang   

  • Online:2024-12-20 Published:2025-03-20

摘要:

沉浸式戏剧作为一种创新融入旅游行业的一种文化展现形式,通过创造性转化与创新性发展(“双创”),在全球范围内迅速发展。本文探讨了沉浸式戏剧在文旅中实现“双创”的多种表达方式,包括叙事视角的创新、角色与体验者关系的重构以及现代科技手段的应用。此外,本文分析了沉浸式戏剧的空间构建原则,强调场景与故事的契合、空间的灵活性与互动性以及多感官体验的整合。通过对《不眠之夜》和《印象》系列等案例的研究,本文提出了沉浸式戏剧在文旅中的应用框架和实施策略,旨在为文化资源的保护与传承提供新思路。

关键词: 沉浸式戏剧, 创造性转化, 空间构建, 文旅融合

Abstract:

Immersive theater, as an innovative cultural form integrated into the tourism industry, has rapidly developed globally through creative transformation and innovative development ("double innovation"). This paper explores various expressions of 'double innovation' in immersive theater within cultural tourism, including innovations in narrative perspectives, the reconstruction of relationships between characters and participants, and the application of modern technological means. Additionally, the paper analyzes the spatial construction principles of immersive theater, emphasizing the compatibility of scenes and stories, the flexibility and interactivity of spaces, and the integration of multi-sensory experiences. Through the study of cases such as Sleep No More and the Impression Series, this paper proposes a framework and implementation strategies for the application of immersive theater in cultural tourism, aiming to provide new ideas for the protection and inheritance of cultural resources.

Key words: immersive theater, creative transformation, spatial construction, cultural tourism integration