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上海视觉 ›› 2025, Vol. 0 ›› Issue (3): 12-18.

• 数智赋能 • 上一篇    下一篇

跨媒介“西游”改编中的文化再生产与主体认同——以电子游戏《黑神话：悟空》为例

安博1,2, 杨佩1,2   

  1. 1.西安财经大学，西安 710000
    2.陕西学前师范学院，西安 710100
  • 出版日期:2025-09-20 发布日期:2025-09-03
  • 作者简介:安博（1990— ），男，陕西师范大学文艺学博士，西安财经大学文学院讲师。研究方向为文艺美学。
    杨佩（1989— ），女，西安交通大学马克思主义哲学博士，陕西学前师范学院马克思主义学院副教授。研究方向为文化哲学。
  • 基金资助:
    教育部产学合作协同育人项目“审美文化视域下高校美育课程建设研究”(编号241003436143035)

The Cultural Reproduction and Subject Identity in Cross-Media Adaptations of "Journey to the West": A Case Study of Black Myth: Wukong

AN Bo1,2, YANG Pei1,2   

  • Online:2025-09-20 Published:2025-09-03

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摘要：

本文以电子游戏《黑神话：悟空》为例，分析了“西游故事”的改编经历了从“忠实于原著”到“家族相似”式改编的转变，这一过程推动了跨媒介文化产品关于“西游宇宙”的扩展和传统文化的现代转化。《黑神话：悟空》的跨媒介改编，不仅在艺术形式和表达媒介上进行了转换，也在符号意涵和文化观念上实现了演进，对现代人的主体认同产生了重要影响。在这一过程中，游戏通过对角色如“孙悟空”“猪八戒”等的重新诠释，展现了当代玩家对自由和自我意识的追求。通过精心设计的视听神话景观，角色形象与叙事脉络相互交织，为玩家提供了一个沉浸式的想象空间。这使得个体能够在这一虚拟世界中实现对“主体—虚体”的想象性重构，体验到一种超越现实的自我实现。在后现代文化工业蓬勃发展的时代背景下，主体与媒介所构建的神话奇观之间的紧密联系，日益成为社会结构中不可或缺的纽带。

关键词: 《黑神话：悟空》, 西游改编, 虚体, 主体认同

Abstract:

Taking the digital game Black Myth: Wu Kong as an example, this paper analyzes the transformation of Journey to the West adaptations from "loyalty to the original work" toward a "family resemblance" approach. This shift has catalyzed the expansion of cross-media cultural products within the "Journey to the West Universe" and facilitated the modern transformation of traditional culture. The cross-media adaptation of Black Myth: Wu Kong transcends mere changes in artistic forms and expressive media, evolving in symbolic meanings and cultural concepts while significantly impacting modern individuals' subjective identity. The game reflects contemporary gamers' pursuit of freedom and self-awareness through reinterpretations of characters like "Wukong" and "Bajie." Through meticulously designed audio-visual mythical landscapes, intertwined character images and narrative threads provide players with an immersive imaginary space. This enables individuals to imaginatively reconstruct the "subject-virtual entity" within this virtual world and experience self-realization beyond reality. In the context of the thriving postmodern cultural industry, the intimate connection between subject-constructed myths and media has become an essential bond in social structures.

Key words: Black Myth: Wu Kong, Adaptation of Journey to the West, Virtual Entity, Subjective Identity

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