关键词: 新海派, 艺术生产端, 艺术消费端, 作为目标的艺术管理, 作为手段的艺术管理, 艺术管理高等教育

Abstract:

Since China’s Reform and Opening Up, Shanghai’s art scene, characterized primarily by the New Haipai movement, has demonstrated nationwide leadership in artistic participation, art market consumption, and international influence. Based on the developmental trajectory from Haipai to New Haipai art, this paper examines the intertwined relationships and bilateral isomorphism between art, management, and education within specific temporal and spatial contexts. Through the lens of “China’s independent knowledge production”, this study explores the cultural implications and educational significance of New Haipai as a distinctive original concept. It presents and elaborates on new propositions and discourses regarding art management and education that have emerged alongside New Haipai art, offering theoretical tools for describing and explaining Shanghai’s artistic development trajectory and momentum. The study argues that Shanghai’s artistic prosperity is closely linked to the robust development of its art management and education systems—a significant characteristic of Shanghai’s artistic development that should not be overlooked. Whether this phenomenon has broader national implications merits further discussion and research.

Key words: New Haipai, artistic production, art consumption, art management as objective, art management as means, art management in higher education