关键词: 莫里斯符号学, 三分法, 宋制女服褙子, 色彩研考

Abstract:

Perspectives on Song Dynasty women’s daily clothing colors are diverse and contradictory, with numerous scholarly disputes. While traditional analyses often begin with handed-down paintings, significant tension exists between color concepts and actual life practices. Women’s color usage in the Song Dynasty was rich and variable. Effective color research must acknowledge the complexity of historical participants and approach the subject from multiple perspectives of daily life to extract specific characteristics of women’s clothing colors from complex historical materials. The Beizi, being the most characteristic and representative clothing item of the Song Dynasty with its wide applicability, fully reflects women’s aesthetic tastes and practical needs of that era. Through literature review, image research, and comparative analysis, this study combines Morris’s trichotomy of semiotics with Japanese NCD color intention and SPSS statistical methods to systematically examine the semiotic meaning, significance, and usage characteristics of women's Beizi colors in the Song Dynasty. The research constructs and expands regulatory approaches to traditional Chinese clothing color studies, addressing fundamental issues in clothing art while engaging with interdisciplinary cutting-edge research areas.

Key words: Morris Semiotics, Trichotomy, Women’s Beizi of The Song Dynasty, Color Research