关键词: 宋瓷礼器, 象征体系, 祭祀文化, 绝地通天

Abstract:

In the cosmology of the Chinese ancestors, the sacrifice of heaven and earth is the genesis of all religious beliefs, but also the highest form. The support of Emperor Huizong of the Northern Song Dynasty achieved the peak of the porcelain industry of the five famous kilns, Ru, the official kiln ceremonial ware containing the copper and jade and porcelain elegance, nurturing the original porcelain ceremonial ware, constructed in color, shape, system, and righteousness as a reference to the five elements of the symbols of the model. From the creation theory of “heaven is round and earth is square” to the worship of the sun, moon, stars and gods in the four directions since the Three Dynasties, it is unified by the logical system of “Juedi Tongtian”. The Song porcelain ritual ware is the product of combining the aesthetics of the times and the material technology to adapt the shape of the three generations of heavy artifacts, examining its “round, three-square, four” to “three-legged tripod”, “round inside and square outside” matching law, and exploring its “materiality”. By exploring the concept of “materiality” and “divinity” that unifies the concepts of artifacts, correspondences and symbols, we can reveal the linking logic of the “sense of things”.

Key words: Song Dynasty Porcelain Sacrificial Vessels, Symbolism System, Sacrificial Culture, Juedi Tongtian