关键词: 郭沫若, 威廉·冯特, 内在韵律, 广义音乐性, 创作实践

Abstract:

The theory of “intrinsic rhythm” presented by the representative Chinese poet Guo Moruo in 1921, which was based on the hypothesis about rhythm by the experimental psychologist Wilhelm Wundt, provided a meaningful new viewpoint for people to reconsider the issue of musicality in poetry. But there was such a divergence between Guo Moruo’s theory and his own writing practice that the ideal harmony of intrinsic and extrinsic rhythm was just a vision in his poem writing. However, we should still recognize that Guo's theory has not only inspired lots of relevant explorations afterwards but also influenced generations of poets in their writing.

Key words: Guo Moruo, Wilhelm Wundt, intrinsic rhythm, musicality in the broad sense, writing practice