戏剧的证人:论西班牙黄金世纪观众的剧场互动和社会表演

摘要/Abstract

摘要：

观众研究是剧场文化学的重要分支，在环境戏剧或沉浸式戏剧中尤为重要。观众是戏剧接受美学的最后一个闭环，没有他们的在场与观看，戏剧演出就无法完成。本文以西班牙黄金世纪的观众为研究对象，通过历史文献的旁证归纳、演绎推理以及数据考证等方法，从表演艺术史的角度探讨了黄金世纪观众的身份表演和他们的剧场互动对于舞台演出的反作用；从剧场文化学的角度论述了观众的两性差异及其反映的社会思潮与美学问题。

关键词: 西班牙戏剧, 观众, 剧场文化学, 戏剧史, 服装与时尚

Abstract:

Audience studies is an important branch of theatre culturology, especially important in environmental and immersive theatre. Audience is the last closed loop in the aesthetics of theatre reception, and without their presence and viewing, a theatre performance cannot be completed. Taking the audience in the golden century of Spain as the research object, this paper explores the identity performance of the audience in the theatre in the golden century from the perspective of the history of performing arts, as well as the reaction of their theatre interaction to the stage performance through the methods of circumstantial induction, deductive reasoning, and data verification of the historical documents; it also discusses the gender difference of the audience and its reflection of the social trend and aesthetic issues.

Key words: Spanish theatre, audience, theatre cultural studies, theatre history, costume & fashion

周宏亮. 戏剧的证人:论西班牙黄金世纪观众的剧场互动和社会表演[J]. 上海视觉, 2024, 0(4): 88-95.

ZHOU Hongliang. Witnesses of Theatre:The Interaction and Social Performances in Spanish Golden Ages Audiences[J]. SHANGHAI VISION, 2024, 0(4): 88-95.

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