关键词: 石挥, 艺术表演理论, 向心, 离心, 当代意义

Abstract:

The talented Shi Hui, as one of the most outstanding drama and film artists in China in the 20th century, has succeeded in creating many stage images. Due to his obsession with performance, he has advanced and formulated his own unique performance theories upon the strength of his own practicing of performance art, including the centrifugal and centripetal theory. To commemorate the 100th anniversary of Shi Hui's birth, "Shi Hui Talking about Art" is reorganized and published. On one hand, Shi Hui and his works come into our sight once more, and on the other hand, contemporary significance of his theories is thus re-acknowledged and embraced. This article takes the centrifugal force and the centripetal force in performance described by Shi Hui as the starting point, and aims to explore Shi Hui's view of performing art and its practice on the stage, thereby explaining the contemporary significance of his performance notion.

Key words: Shi hui, art performance theories, centripetal, centrifugal, contemporary significance