亨利·米肖抽象绘画中的“流动存在意识”

摘要/Abstract

摘要：

比利时/法国作家、艺术家亨利·米肖是战后兴起的抽象表现主义的代表人物。与几乎同时代的抒情抽象或斑渍抽象不同,米肖的实践更多地针对某种语言学层面的存在主义命题作出回应。本文从米肖早期的评论文章着手分析,追溯其反本质主义的“流动性”存在意识的生成,并分析解读这一观念在其两个代表性的作品系列,即象形书法绘画与“麦司卡林绘画”中的具体体现。

关键词: 亨利·米肖, 致幻剂, 身体主体性, 本质主义

Abstract:

The Belgian-born French writer and artist Henri Michaux is a representative figure of Abstract Expressionism that emerged in the postwar period. Unlike the Lyrical Abstraction or Tachism of his times, Michaux’s practice responds more to some existential propositions at a certain linguistic level. This article starts with the analysis of Michaux’s early review articles, then traces the generation of his anti-essentialist "fluidity" consciousness, and analyzes and interprets the concrete embodiment of this concept in his two series of representative works, namely ideographic drawings and “Mescaline Drawings“.

Key words: Henri Michaux, hallucinogen, bodily subjectivity, essentialism

杨杨. 亨利·米肖抽象绘画中的“流动存在意识”[J]. 上海视觉, 2020, 0(1): 13-19.

Yang YANG. “Sensing Fluidity” in the Abstract Paintings of Henri Michaux[J]. SHANGHAI VISION, 2020, 0(1): 13-19.

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