胸有文脉,创意无穷——兼议美展“有美一人”

上海视觉 ›› 2020, Vol. 0 ›› Issue (1): 7-12.

胸有文脉,创意无穷——兼议美展“有美一人”

石墨

上海视觉艺术学院,上海 201620

出版日期:2020-01-20 发布日期:2021-05-07
作者简介:石墨（1962- ）,男。毕业于中国人民解放军艺术学院。现为上海视觉艺术学院教授,美术学院副院长,当代水墨艺术研究院执行院长。研究方向为现代艺术,水墨艺术等。

Cultural Context at Heart, Creative Ideas in Mind:On the Art Exhibition “Chang Pu, the Only Beauty”

Mo SHI

Online:2020-01-20 Published:2021-05-07

摘要/Abstract

摘要：

中国的视觉艺术,在“借鉴”西方艺术的同时常常被“异化”、被“借鉴”得面目全非,以至于完全不像“中国的”。其根本原因就是丢了自己的文脉,故而视觉艺术,但凡要具备“中国味”就必须寻求中华文脉的滋养。不过,如果是表现中国的、东方的,有没有让人一看就明白的标志物或“公约数”呢?

关键词: 断脉, 说脉, 续脉, 有美一人——与宋代菖蒲的对话^①

Abstract:

Chinese visual art, while "borrowing" from Western art, is often "differentiated" and "borrowed" beyond recognition, so that it is entirely unlike "Chinese" style. The fundamental reason is that we have lost our own cultural context. Therefore, in term of visual art, if they want to have a "Chinese flavor", they must strive to draw the nourishment of Chinese cultural context. However, if it represents China or the East, are there any signs or "common divisors" that people can recognize at a glance?

Key words: culture context lost, talking about culture context, continuing culture context, “Chang Pu, the Only Beauty”——Dialogue with Chang Pu of the Song Dynasty