关键词: 间离效果, 共鸣, 反共鸣

Abstract:

Brecht proposed the “alienation effect” in the epic theatre theory to oppose the resonance in Aristotelian theatre. This seems to be a fixed statement. There are many controversies as to whether the “alienation effect” can truly perform anti-resonance, but such a point of contention ignores an objective basis, that is, Brecht is not only “alienated” and not “resonating”. In the epic theatre theory, Brecht seems to be flexible and multifaceted in the face of the contradiction between “resonance” and “alienation”. This article captures the “actor” section that Brecht himself focuses on, and clarifies Brecht’s complete attitude towards the issue of actor resonance in the performance rehearsal. In the process of theory and practice, Brecht finally wished to find a balance between alienation and resonance. This balance point was tilted due to the then situation of the theatre, thus it showed the side of Brecht who advocated alienation.

Key words: alienation effect, resonance, anti-resonance