上海视觉

上海视觉 ›› 2021, Vol. 0 ›› Issue (2): 62-67.

• 理论研究 • 上一篇    下一篇

反叛与戏谑：新媒体视阈下图像的重构与视觉转向

程羽迪   

  1. 华东政法大学,上海 201620
  • 出版日期:2021-02-20 发布日期:2022-01-21
  • 作者简介:程羽迪（1997– ）,女。华东政法大学传播学院,硕士研究生在读。研究方向：媒介与社会文化。

Rebellion and Banter: Image Reconstruction and Visual Turn in the New Media's Visual Threshold

Yudi CHENG   

  • Online:2021-02-20 Published:2022-01-21

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摘要：

在图像时代,人们把握现实世界的方式越来越依赖于图像化的表达和呈现。新媒体技术的出现,变革性地推进了视觉文化转向。艺术的存在形式、观赏地点、审美趋向都发生了转变,传统的艺术作品也逐渐以新的方式呈现。而当前新媒体视阈下图像化的重构不仅缩短了高雅艺术与普通大众之间的社会距离,并且通过表征重新建构了人们对现实的理解。而图像时代引发的视觉危机需要我们把握视觉经验文化建构新机遇,利用不断更新的视觉媒介技术穿透图像的虚拟迷雾,建构起适应当代价值意蕴的视觉文化经验。

关键词: 视觉文化, 新媒体, 图像重构, 灵韵

Abstract:

In the image age, the way people grasp the real world increasingly depends on the expression and presentation of images. The emergence of new media technology has revolutionized the transformation of visual culture. The existence of art, viewing locations, and aesthetic trends have all changed, and traditional works of art are gradually presented in new ways. The reconstruction of images in the current new media vision not only shortens the social distance between elegant art and the general public, but also reconstructs people’s understanding of reality through representation. The visual crisis which arises in the image age requires us to grasp new opportunities for the construction of visual experience and culture, use the constantly updated visual media technology to penetrate the virtual fog of images, and construct a visual cultural experience that adapts to contemporary values.

Key words: Visual culture, new media, image reconstruction, aura

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