上海视觉

上海视觉 ›› 2021, Vol. 0 ›› Issue (2): 50-55.

• 理论研究 • 上一篇    下一篇

意象·家庭·互文——新加坡电影《热带雨》的叙事策略探究

於闻, 蔡兴水   

  1. 上海视觉艺术学院,上海 201620
  • 出版日期:2021-02-20 发布日期:2022-01-21
  • 作者简介:於闻(1997 — ),女。毕业于浙江大学,文学学士,上海戏剧学院戏剧与影视学,硕士研究生在读,研究方向为编剧学理论。
    蔡兴水(1964 — ),男。现任上海视觉艺术学院教授,上海戏剧学院戏剧与影视学硕士生导师、博士,主要从事戏剧影视理论、创意文化及艺术理论研究。

Imagery · Family · Intertextuality:Research on the Narrative Strategy of the Film “Wet Season

Wen YU, Xingshui CAI   

  • Online:2021-02-20 Published:2022-01-21

摘要:

影片《热带雨》是新加坡导演陈哲艺的一部重要作品,对于华语家庭电影和新加坡电影的研究均具有非凡意义。本文主要从影像时空建构、家庭内部场景叙事和电影文本互文性三方面探究该片的叙事策略,并运用电影叙事学和符号学相关理论,分析陈哲艺的影像风格和电影创作美学。

关键词: 新加坡华人电影, 叙事策略, 家庭伦理, 女性议题, 文化认同

Abstract:

The film “Wet Season” is an important work by Singaporean director Chen Zheyi, which is of great significance to the study of Chinese-language family movies and Singaporean movies. This article mainly explores the film’s narrative strategy from the three aspects, namely image space-time construction, family internal scene narration and intertextuality of movie text, and uses film narratology and semiotics related theories to analyze Chen Zheyi’s image style and film creation aesthetics.

Key words: Singapore Chinese Film, Narrative strategy, Family ethics, Female issues, Cultural identity