上海视觉

上海视觉 ›› 2021, Vol. 0 ›› Issue (1): 80-85.

• 艺术批评 • 上一篇    下一篇

邓超在《影》中的表演技法研究

钟君芳   

  1. 上海戏剧学院,上海 200040
  • 出版日期:2021-01-20 发布日期:2021-01-20
  • 作者简介:钟君芳(1995– ),女,上海戏剧学院在读硕士,研究方向中国戏曲史论。

A Study in DENG Chao's Performing Techniques in Shadow

ZHONG Junfang   

  • Online:2021-01-20 Published:2021-01-20

摘要:

演员邓超在张艺谋执导的电影《影》中一人分饰两角,其精彩的表现,彰显扎实深厚的表演技法。其中,既有源自戏剧表演的基础,也有电影表演的特点。在外形塑造上,他采用了体验派的方法进入角色,通过控制体型和声线,来贴近人物的外貌特征,塑造了截然不同的两个人物形象。在性格的塑造上,他在不同情境下进行细微的表情转换,映射出人物内心的矛盾与情感变化。在剧情发展的推动上,他采取了多信息征兆的征兆表演的方法,点到即止的行动增加了观众对电影的参与程度,既制造了悬念,亦为观众留下了推敲与思考的空间。此外,随着数字技术的发展,邓超还按导演要求,采用了分别演出的方式,使一人分饰的两个角色在同一画面中完成了大量的对手戏,带来了符合剧情需要的视觉效果。

关键词: 《影》, 邓超, 体验派, 征兆表演

Abstract:

DENG Chao, the famous actor, plays two roles in the film Shadow directed by ZHANG Yimou. His brilliant performance demonstrates his superb performing techniques, which are a mixture of drama and film performance. In appearance shaping, he adopts an experiential method to enter into the spirits of the characters. By controlling the body shape and voice line, he comes closer to the appearance of the characters concerned, thus creating two completely different characters. In displaying the temperaments and personalities of the characters concerned, he presents subtle expression shifts in different situations, reflecting inner contradictions and emotional changes in the characters. In developing the plot, he adopts a method of symptom performance with multi-information signs, and his perfect action activates the audience’s involvement in the film, which not only creates suspense, but also leaves room for deliberation and thinking. In addition, DENG Chao also adopts a method of separate performing according to the director's requirements, with the aid of much advanced digital technology, so that the two roles played by him can be shown in the same scene, which generates the visual effects that meet the needs of the plot.

Key words: Shadow, DENG Chao, experiential method, symptom performance