上海视觉

上海视觉 ›› 2019, Vol. 0 ›› Issue (2): 115-119.

• 艺术实践 • 上一篇    

成品物件在装置艺术创作中的研究和实践

陈杰   

  1. 上海视觉艺术学院,上海 201620
  • 出版日期:2019-02-20 发布日期:2020-03-04
  • 作者简介:陈杰(1990- )男,毕业于上海东华大学,硕士。上海视觉艺术学院助理实验师。研究方向为综合材料、艺术实践。

Application and Research on the Use of Available Materials in Installation Art

Jie Chen   

  • Online:2019-02-20 Published:2020-03-04

摘要:

当下的艺术,多元化和个性化成为了特征。笔者试图在自身的创作中探索不同材质的表现力,利用成品物件——柜子和最简练的榫卯造型相结合,借用装置艺术的观念和形式,以此来打破原物件本身的形式感、价值观,消除人们对材料本身认识的局限,寻求记忆的温度,并希望通过自己的创作能引起人们对传承中国传统文化的关注。同时笔者也阐述了艺术创作中所碰到的问题和对装置艺术的理解。

关键词: 材料, 雕塑, 装置艺术, 现成品物件, 榫卯造型

Abstract:

In the present, diversity and personalization have become the hallmarks of art in this era. The author tries to explore the expressive power of different materials in his own art creation, with combination of available materials, cabinets, and mortise and tenon joint of the most concise style, to break the visuality and values of the original materials, eliminate people's understanding of the material itself. This paper will start with available materials and seek the temperature of memory. The author hopes that, through his own creation, people will pay attention to the inheritance of Chinese traditional culture, and expounds the problems encountered in the sculpture creation and the understanding of installation art.

Key words: Material, Sculpture, Installation Art, Available Material, Mortise and Tenon Joint