上海视觉

上海视觉 ›› 2019, Vol. 0 ›› Issue (2): 108-114.

• 艺术实践 • 上一篇    下一篇

仿釉涂料在瓷器修复中应用研究与实践——以“唐长沙窑青釉模印贴花双鱼纹执壶”修复为例

蔡怡婷,张钰鹏   

  1. 上海视觉艺术学院,上海201620
  • 出版日期:2019-02-20 发布日期:2020-03-04
  • 作者简介:蔡怡婷(1989- ),女,上海视觉艺术学院,学士。上海视觉艺术学院助理实验师。研究方向为古陶瓷保护与修复方向。|张钰鹏(1996- ),女。上海视觉艺术学院,学士学位。

Preservation and Restoration of Stamping Holding Pot Made of Blue Blaze with Double-Fish Applique at Changsha Kiln in Tang Dynasty

Yiting Cai,Yupeng Zhang   

  • Online:2019-02-20 Published:2020-03-04

摘要:

通过唐代长沙窑青釉模印贴花双鱼纹执壶进行探索性修复,以科学保护为主要前提,结合传统的文物保护技术对其进行修复,以此达到陈列展示修复的要求。该器物之前曾被修复过有旧修痕,用石膏作为配补材料进行补缺,仿釉涂料作色,但颜色准确度较差,与器物本身的釉色有一定差距,器物残留的柄不是执壶原件。该器物腹部的双鱼贴花缺失四分之一鱼尾,要对双鱼贴花进行补全以及纹饰的刻画是难点。按照清洗、拆分、配补打磨、作色、上釉等修复步骤,达到陈列展示修复的要求。

关键词: 长沙窑, 修复, 仿釉涂料, 执壶

Abstract:

This paper focuses on an exploratory restoration of a stamping holding pot made of blue blaze with double-fish applique at Changsha Kiln in Tang dynasty, with scientific protection as the main premise and combined with the traditional cultural relic protection technology, in order to meet the display and demonstration requirements. The pot had been repaired before with old repair marks, gypsum was used as complement material to fill the gap, imitation glaze paint for color, but the color accuracy was poor, so there is difference compared with the original color. Besides, the handle of the pot is also not the original one, the double-fish applique is not intact with a quarter of fishtails lost, it is difficult to make it complete and engrave the decorative patterns. After the repair steps of cleaning, splitting, matching and polishing, coloring and glazing, this pot would meet the display and demonstration requirements.

Key words: Changsha Kiln, Restoration, Imitation Glaze Coating, Holding Pot