上海视觉

上海视觉 ›› 2026, Vol. 0 ›› Issue (2): 55-60.

• 艺术批评 • 上一篇    下一篇

塞纳河上的舞台：巴黎奥运会开幕式的空间生产

黄宇, 傅莹   

  1. 暨南大学， 广州 510632
  • 出版日期:2026-06-20 发布日期:2026-07-20
  • 作者简介:黄宇（1997— ），男， 暨南大学文学院博士在读。研究方向为影视艺术、文化研究。
    傅莹（1964— ），女， 暨南大学文学博士，现为暨南大学文学院教授，博士生导师。研究方向为比较文艺学、文化产业与管理。

The Stage on the Seine: Spatial Production in the Opening Ceremony of the Paris Olympics

HUANG Yu, FU Ying   

  • Online:2026-06-20 Published:2026-07-20

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摘要：

大型文化事件深度嵌入城市空间，恰为城市更新提供关键契机。本文以2024年巴黎奥运会开幕式为案例，系统考察其空间生产模式，深入揭示文化事件赋能城市更新的内在机制。研究发现：该开幕式突破了“空间中的表演”传统范式，转向“空间的表演”这一创新实践，从而深度激活了城市空间固有的表演性。这一核心机制有效驱动了三重效应：激活城市体验；强化城市形象；凝聚城市认同。巴黎奥运会开幕式案例为理解大型文化事件如何赋能城市更新，提供了重要的实践范式与理论洞见。

关键词: 2024年巴黎奥运会开幕式, 空间生产, 城市更新, 空间表演性

Abstract:

Large-scale cultural events, by their deep embeddedness in urban space, present pivotal opportunities for urban renewal. This paper employs the opening ceremony of the 2024 Paris Olympics as a case study to systematically examine its spatial production and uncover the mechanisms by which cultural events enable urban regeneration. The study finds that the ceremony transcended the conventional paradigm of“performance in space”and shifted toward the innovative practice of “performance of space”, thereby intensifying the inherent spatial performativity of the urban. This central mechanism drives a tripartite effect: enriching urban experience, reinforcing the urban image, and consolidating urban identity. The case of the Paris Olympics opening ceremony provides significant theoretical insights and a practical framework for understanding how large-scale cultural events facilitate urban renewal.

Key words: 2024 Paris Olympics Opening Ceremony, Spatial Production, Urban Renewal, Spatial Performativity

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