上海视觉

上海视觉 ›› 2026, Vol. 0 ›› Issue (1): 44-48.

• 艺术实践 • 上一篇    下一篇

“墨髹朱里”(①“墨髹朱里”,文见《朱启钤先生髹饰录前言》,原文为“墨髹朱里,导源虞夏。日本至今,尚供日用”,引自王世襄. 髹饰录解说:中国传统漆工艺研究[M]. 北京:文物出版社, 1998:16.)——“一色漆器”与极简主义的风格探讨

罗芳林   

  1. 闽江学院福州 350108
  • 出版日期:2026-01-20 发布日期:2026-03-30
  • 作者简介:罗芳林(1972— ),女,苏州大学硕士,闽江学院美术学院教授,漆艺与材料实验室中心主任,闽江学院漆艺研究院副院长。研究方向为漆艺创作与漆艺文创品牌设计。

“Black Lacquer Outside, Vermilion Inside”: A Stylistic Inquiry into Monochrome Lacquerware and Minimalism

LUO Fanglin   

  • Online:2026-01-20 Published:2026-03-30

摘要:

现代设计理念与传统工艺思想并非对立的二元结构,从纹样漆饰到“一色漆器”,“素髹”作为技法与风格的范畴,摆脱纹样富丽的限制,从具象形式语言转向抽象形式语言的表现,并发展漆饰风格在形式、纹理与结构上的现代性。本文以一色漆饰风格的漆艺作品为对象而开展研究,就极简主义艺术与一色漆饰风格的形式结构与美学精神相关联,进行包括文献、风格、比较等多层次研究与探讨。

关键词: 素髹, “一色漆器”, 极简主义, 风格

Abstract:

Modern design concepts and traditional craftsmanship ideas are not opposing binaries. From patterned lacquer decoration to ‘monochrome lacquerware,' ‘plain lacquer' as both a technique and a stylistic category frees itself from the constraints of ornate patterns, shifting from representational forms to expressions in abstract form, while developing the modernity of lacquer decoration in terms of form, texture, and structure. This paper focuses on lacquer works in the monochrome lacquer style, exploring the connections between minimalist art and the formal structure and aesthetic spirit of the monochrome lacquer style through multi-level research and discussion, including literature review, stylistic analysis, and comparative studies.

Key words: Plain Coating, Monochrome Lacquerware, Minimalism, Style