上海视觉

上海视觉 ›› 2026, Vol. 0 ›› Issue (1): 105-109.

• 艺术批评 • 上一篇    下一篇

“为救亡而艺术”——话剧《洪宣娇》与上海“孤岛”社会文化

刘晓海1,2, 付楠1,2   

  1. 1.上海戏剧学院， 上海 200040
    2.上海工程技术大学， 上海 201620
  • 出版日期:2026-01-20 发布日期:2026-03-30
  • 作者简介:刘晓海（1989— ），男，上海戏剧学院马克思主义研究院副教授。研究方向为艺术史论。
    付楠（1990— ），女，上海工程技术大学马克思主义学院讲师。研究方向为社会文化史。
  • 基金资助:
    上海市教育科学研究项目“上海高校哲学社会科学研究专项”“运用红色文艺资源提升思政课教学效果研究”(2024ZSS018);及“上海戏剧学院科研项目扶持计划资助项目”(STA23YB08)

“Art for Saving the Nation”: Drama Hong Xuanjiao and the Social Culture of the Isolated Island Period in Shanghai

LIU Xiaohai1,2, FU Nan1,2   

  • Online:2026-01-20 Published:2026-03-30

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摘要：

上海“孤岛”时期的文化，是近代以来上海社会文化的重要组成部分。“孤岛”时期的话剧运动，对“孤岛”的社会与文化产生过重要影响，是抗战时期话剧文化不可忽视的组成部分。孤岛话剧包括了改编剧、现实剧和历史剧三大类。中国旅行剧团演出的新编历史剧《洪宣娇》作为“孤岛”末期较有影响的一部话剧，借古喻今，曲折表达团结抗战的主旨，反映了孤岛话剧从业者及观众的基本价值取向。该剧在“中旅”、编剧阿英、导演费穆乃至观众群体都产生了一定影响，从而影响了此后上海话剧的发展。

关键词: 抗战, “孤岛”, “中旅”, 《洪宣娇》, 阿英

Abstract:

The culture of Shanghai's "Isolated Island" period represents an important component of modern Shanghai's social culture. The drama movement during this period had significant impact on the society and culture of the Isolated Island, forming an indispensable part of wartime dramatic culture. Island dramas comprised three categories: adapted plays, realistic plays, and historical plays. The historical drama Hong Xuanjiao, performed by the China Travel Drama Troupe, emerged as an influential play in the late Isolated Island period, using historical metaphor to express themes of unity and resistance through indirect means, reflecting the basic value orientations of both drama practitioners and audiences. The play notably influenced China Travel Theatre Company, playwright A Ying, director Fei Mu, and audience groups, thereby affecting Shanghai's subsequent dramatic development.

Key words: War of Resistance Against Japanese Aggression, Isolated Island Period in Shanghai, China Travel Theatre Company, Hong Xuanjiao, A Ying

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