上海视觉

上海视觉 ›› 2022, Vol. 0 ›› Issue (2): 83-88.

• 教学探索 • 上一篇    下一篇

《设计学基础》课程思政的融合创新路径研究——以红色盲盒为例

沈忱   

  1. 上海视觉艺术学院,上海201620
  • 出版日期:2022-02-20 发布日期:2023-02-27
  • 作者简介:沈忱(1986 — ),女。毕业于英国伦敦艺术大学-中央圣马丁艺术与设计学院,硕士学位。现为上海视觉艺术学院讲师。研究方向为艺术教育、文创产品设计、主题环境设计、展演空间设计与新媒体研究。

Research on the Innovative Pathway of Integrating Curriculum Ideology and Politics with the Course “Basics of Design”: A Case Study of “Red” Blind Boxes

SHEN Chen   

  • Online:2022-02-20 Published:2023-02-27

摘要:

红色文化是大学课程思政的重要资源,盲盒消费是当代青年消费生活方式的新现象。红色文化中蕴含着丰富的内容,是文创产品盲盒消费的重要领域。《设计学基础》课程思政的实践证明,结合课程特色,进行红色文创产品的盲盒设计开发,是该门课程思政融合创新的有效路径。《设计学基础》课程思政与红色基因融合的经验是,聚焦专业特色,融汇思政元素,完善课程教学目标,构建多层立体教学模式;寻访红色资源,缔造第二课堂;结合潮流文化,进行红色盲盒设计,彰显文化自信;筛选时代文化精神,灌注地域红色文化,实践地域设计,推进教赛融合;凝聚时代文化精粹,凝练红色符号,融入红色盲盒设计,传承红色文化基因;结合红色文化品牌,进行文化传播形式创新。

关键词: 设计学基础, 课程思政, 红色文化, 红色盲盒, 教赛融合

Abstract:

Red culture is an important resource for Curriculum Ideology and Politics in the college curriculum. Nowadays the consumption of blind boxes is a new phenomenon in young people’s consumption lifestyle. Red culture contains abundant content, and it is therefore a crucial part of the consumption of cultural and creative products like blind boxes. The practice of integrating ideological-political elements with the course “Basics of Design” has proved that the combination between the course features and the development of designing “red” blind boxes is an effective pathway of innovatively integrating the course into the Curriculum Ideology and Politics. The experience tells us that the way of integrating ideological-political elements with “red” heritage in the course “Basics of Design” is to focus on professional features, integrate with the ideological-political elements, improve the course objectives, and build a multi-layered and three-dimensional teaching model; visit “red” resources such as some historical sites to create a second classroom; design the “red” blind boxes by taking into consideration the elements of trend culture to demonstrate cultural confidence; embody the cultural spirit of the time, infuse the regional red culture, practice regional design, and promote the integration of teaching and competition; encapsulate the cultural essences of the era, adopt chief “red” symbols that integrate into the blind box design, and carry on the red cultural heritage; exploit the “red” cultural brand, thus introducing new ideas to the means of cultural communication.

Key words: Basics of Design, Curriculum Ideology and Politics, Red Culture, “Red” Blind Boxes, Integration of Teaching and Competition