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上海视觉 ›› 2022, Vol. 0 ›› Issue (1): 72-78.

• 艺术实践 • 上一篇    下一篇

图像学研究在陶瓷修复中的运用——以元龙泉窑龙纹青瓷残片为例

刘言   

  1. 浙江省博物馆,杭州 310007
  • 出版日期:2022-01-20 发布日期:2022-09-02
  • 作者简介:刘言（1991– ）,男。毕业于北京服装学院,美术学硕士,现就职于浙江省博物馆技术保护部文物修复岗。

Application of Iconology in Ceramic Restoration: A Case Study of Dragon-Pattern Celadon Fragment from Longquan Kiln of Yuan Dynasty

LIU Yan   

  • Online:2022-01-20 Published:2022-09-02

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摘要：

图像学属于艺术史研究中的一个分支,关注研究对象的主题、内涵,以及其内在的各种深层意义。浙江省博物馆现藏一件元代龙泉窑龙纹青瓷残件,器形的完整性严重缺损,所幸其装饰主题龙纹部分的龙头与龙尾尚存,同时残片能较为清晰地体现出此龙盘的装饰工艺。其图像信息与海外存世的几件云龙纹露胎盘有极大的重合性。本文以此残片为例,运用图像学分析方法,以图表、史料与相关文献作为论证,对此残片图像进行复原研究,使这一精美的瓷片重现原貌成为可能。

关键词: 元龙泉窑, 图像学, 陶瓷修复

Abstract:

Iconology is a branch of art history studies, focusing on the subject, connotation, and various inner meanings of the research object. The Zhejiang Provincial Museum now has a dragon-pattern celadon fragment from the Longquan Kiln of the Yuan Dynasty. Though the completeness of the shape is severely damaged, the head and tail of the dragon-pattern part of the decoration theme are fortunately in existence, and what’s more, the fragments can clearly reflect the decoration craft of dragon plate. The image information shows a very degree of overlapping with several surviving Yunlong pattern placenta. This article takes this fragment as an example, uses the image analysis method, combines with the table map and related literature and historical data as a demonstration, to carry out the restoration research on this fragment image, so that it is possible to reproduce the original appearance of this exquisite porcelain piece.

Key words: the longquan kiln of Yuan Dynasty, the Iconology, the restoration of ceramic

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