上海视觉

上海视觉 ›› 2022, Vol. 0 ›› Issue (1): 67-71.

• 国际连线 • 上一篇    下一篇

画框变成文本——德里达视角下“画框”的语义转化

郑鸥帆   

  1. 河北大学,保定 071000
  • 出版日期:2022-01-20 发布日期:2022-09-02
  • 作者简介:郑鸥帆（1996– ）,女。毕业于上海视觉艺术学院,艺术学学士。现为河北大学艺术学在读硕士,研究方向为艺术学理论。

Frame into Text: The Semantic Transformation of " Frames" from Derrida's Perspective

ZHENG Oufan   

  • Online:2022-01-20 Published:2022-09-02

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摘要：

雅克·德里达（Jacques Derrida）在探究绘画的真理时认为,画框在绘画的意义生成中有着不可忽视的重要作用,它不是康德口中附加性的装饰,而是连接作品内外、支撑作品中心内容的框架。画框不仅在物理空间内起到隔绝环境、突出中心的作用,同时是作品具有可读性的前提,在话语构成中逐渐走向中心地位,甚至决定绘画意义的生成。画框作为文本参与艺术是德里达的独特见解,本文试图阐明德里达视角下画框的语义如何从上下文转化为文本,在艺术作品中发挥重要作用。

关键词: 德里达, 画框, 语义转化, 文本

Abstract:

Jacques Derrida, when exploring the truth of paintings, concludes that the frame plays a vital role that cannot be ignored in generating the meaning of paintings. It is not an additional decoration that kant proposed, but connects the interior and exterior of the work concerned, and supports its central contents. The frame not only plays the role of separating the physical space and highlighting its central contents, but also a prerequisite for the readability of the work. It gradually moves to a central position in the discourse composition, and even determines the generating of the meaning of the painting. It is Derrida's unique insight that frames participate in art as text. This article attempts to clarify how the semantics of the frames from Derrida's perspective can be transformed from context to text, so as to play an important role in the works of art.

Key words: Derrida, the frame, semantic transformation, the text

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