上海视觉

上海视觉 ›› 2021, Vol. 0 ›› Issue (2): 100-110.

• 本期主题——文物保护与修复 • 上一篇    下一篇

马相伯“真光普照”漆匾的时空定格

张岚, 潘坤容   

  1. 上海视觉艺术学院,上海201620
  • 出版日期:2021-02-20 发布日期:2022-01-21
  • 作者简介:张岚（1957– ）,男。毕业于上海工艺美院、上海电视大学。现任上海视觉艺术学院教授。研究方向为文物保护与修复。
    潘坤容（1990 - ）,女。复旦大学文物与博物馆学系硕士毕业。现任上海视觉艺术学院讲师。研究方向为文物保护技术,陶瓷修复材料。

The Restoration of Board “Zhen Guang Pu Zhao” Written by MA Xiangbo

Lan ZHANG, Kunrong PAN   

  • Online:2021-02-20 Published:2022-01-21

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摘要：

中国著名教育家马相伯撰写的“真光普照”漆匾,距今已有90年,由于保护不善,出现虫蛀、褪色、龟裂和脱落等病害。经过对文物质地和病害的分析,制定了契合漆匾的保护方案,并加以实施。通过清洗和加固,运用传统技法,采用新的保护材料,进行了二次修复,使漆匾恢复了原状,得到了很好的保护,为博物馆文物研究和陈列提供了条件。

关键词: 漆器修复, 漆匾, 马相伯, 土山湾博物馆

Abstract:

It has been 90 years since the famous Chinese educator MA Xiangbo wrote the horizontal lacquer board “Zhen Guan Pu Zhao” (True Light Illuminates All Things). Due to poor protection, damages, such as worm-holes, fading, cracking and shedding, have appeared. After analyzing the cultural material locations and damages, a protection plan that fits the horizontal lacquer board was formulated and implemented. Through cleaning and reinforcement, using traditional techniques and using new protective materials, a secondary restoration was carried out, so that the horizontal lacquer board was restored to its original state and well protected. The case provides conditions for the research and display of museum cultural relics.

Key words: lacquer ware restoration, the horizontal lacquer board, MA Xiangbo, Tu- Shan-Wan Museum

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