共构·分野·廓清：神经电影学诸研究进路考辨

上海视觉 ›› 2026, Vol. 0 ›› Issue (1): 156-163.

共构·分野·廓清：神经电影学诸研究进路考辨

刘童玮¹^,², 王幼军¹

1.上海师范大学，上海 200234
2.中国人民大学—西湖大学未来人类联合研究院，北京 100872

出版日期:2026-01-20 发布日期:2026-03-30
作者简介:刘童玮（2002— ），男，上海师范大学哲学系硕士在读，中国人民大学—西湖大学未来人类联合研究院研究助理。研究方向为认知科学哲学、艺术哲学、神经美学。
王幼军（1965— ），女，上海交通大学博士，上海师范大学哲学系教授、博士生导师、科学技术哲学教研室主任。研究方向为科学思想史、科学史、科学哲学。
基金资助:
国家社科基金重大项目“当代新兴增强技术前沿的人文主义哲学研究”(20&ZD045);上海师范大学科研项目“审美预测加工研究：美学与认知科学的汇通”(25XSY047)

Co-construction, Demarcation, and Clarification: A Critical Evaluation of Approaches in Neurocinematics

LIU Tongwei¹^,², WANG Youjun¹

Online:2026-01-20 Published:2026-03-30

摘要/Abstract

摘要：

神经电影学是“实证—体验型”跨学科研究领域。它基于认识论多元主义，以不同理论框架桥接了认知神经科学和电影研究，从而发展出诸多命名版本，包括神经电影学、演化电影学、心理电影学、神经“电影学”以及具身神经电影学等。通过系统梳理各研究进路的代表性学者、认识论预设或实验范式，并逐一对其发展态势进行批判性评价，以期从概念内涵、研究转向和研究路线三个方面概览当代神经电影学研究之图景。展望未来，神经电影学应重拾对电影风格的关注，采取集合多层次解释的、生物文化的研究方案，在科学化与哲学化的互惠约束中寻求一种综览性视野，进而为建构具有主体性的中国电影学术体系提供理论资源与实践方案。

关键词: 神经电影学, 认识论多元主义, 中层理论, 认知主义电影理论, 认知电影诗学, 生物文化进路

Abstract:

Neurocinematics is an empirical-experiential interdisciplinary field in contemporary research. Drawing on diverse theoretical frameworks, it bridges cognitive neuroscience and film studies, giving rise to a range of related designations—such as neurocinematics, evolutionary cinematics, psychocinematics, neurofilmology, and embodied neurocinematics. This study offers a systematic survey of key approaches, identifying their representative scholars, epistemological assumptions, and experimental paradigms, and then offers a critical assessment of each approach’s developmental trajectory. The aim is to provides a critical overview of the contemporary neurocinematics landscape from three perspectives: conceptual connotations, research turns, and research lines. Looking ahead, neurocinematics should renew its engagement with film style, adopt a biocultural research program capable of integrating multilevel explanatory models, and cultivate a synoptic vision shaped by the mutual constraints of scientific rigor and philosophical reflection. Such an orientation may furnish both theoretical resources and practical strategies for developing an autonomous framework of Chinese film studies scholarship.

Key words: Neurocinematics, Epistemological Pluralism, Middle-Level Theories, Cognitivism, Cognitive Poetics of Film, Biocultural Approach

刘童玮, 王幼军. 共构·分野·廓清：神经电影学诸研究进路考辨[J]. 上海视觉, 2026, 0(1): 156-163.

LIU Tongwei, WANG Youjun. Co-construction, Demarcation, and Clarification: A Critical Evaluation of Approaches in Neurocinematics[J]. SHANGHAI VISION, 2026, 0(1): 156-163.

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