上海视觉

上海视觉 ›› 2019, Vol. 0 ›› Issue (1): 69-72.

• 艺术批评 • 上一篇    下一篇

艺术理念的嬗变——谈闻一多的新诗格律试验

张入云   

  1. 上海视觉艺术学院,上海 201620
  • 出版日期:2019-01-20 发布日期:2019-09-05
  • 作者简介:张入云,文学博士,上海视觉艺术学院讲师,主要研究方向为二十世纪中国文学史。

The Evolution of Wen Yiduo's Artistic Concepts and His Metric Experiment

Zhang Ruyun   

  • Online:2019-01-20 Published:2019-09-05

摘要:

闻一多的艺术理念是在东西方多种美学传统的综合作用下逐步发展成型的,他对于艺术的社会功用性与其无目的性、超功利性之间辩证关系的理解,也经历了从浅表到深入、由混沌至明晰的演进。作为一名积极投入写作实践、对新诗的发展动向保持着密切关注的诗人,闻一多的艺术观直接造就了他的新诗格律理论和诗的“三美”说。

关键词: 闻一多, “三美”说;, 艺术理念, 写作实践

Abstract:

Wen Yiduo's artistic concepts were gradually developed and formed under the comprehensive effect of various aesthetic traditions of the East and the West, and his understanding of the dialectical relationship between the social utility of art and its purposelessness and super-utility had also undergone the evolution from superficial to deep, from chaotic to perspicuous. As a poet who actively engaged in writing practice and kept a close eye on the development of new poetry, Wen Yiduo's artistic concepts directly created his metric theory and "Three Beauties" theory.

Key words: Wen Yiduo, “Three Beauties” Theory;, Artistic Concepts, Writing Practice