科艺融合视域下机器人戏剧的实践探究——以《巨物之城》为例

上海视觉 ›› 2025, Vol. 0 ›› Issue (4): 172-177.

科艺融合视域下机器人戏剧的实践探究——以《巨物之城》为例

戴炜, 李剑锋

上海戏剧学院，上海 201112

出版日期:2025-12-20 发布日期:2025-12-22
作者简介:戴炜（1983— ），男，上海戏剧学院硕士，上海戏剧学院艺术科技与管理学院讲师。研究方向为数字艺术。
李剑锋（2000— ），男，上海戏剧学院硕士在读。研究方向为数字艺术。
基金资助:
高水平地方高校建设项目2024年度“高地大”一流学科建设布局未来戏剧学新型演艺形态及运行模式专项“机器人戏剧《巨物之城》沉浸版”

An Exploration of Robotic Theater in the Context of Science-Art Fusion: A Case Study of The City of Big Dumb Objects

DAI Wei, LI Jianfeng

Online:2025-12-20 Published:2025-12-22

摘要/Abstract

摘要：

在科技艺术融合及人工智能技术快速发展背景下，机器人戏剧作为全新戏剧形式在演出领域得到快速发展与应用。本文以国内首部新媒体机器人戏剧《巨物之城》的创作成果为例，从介绍分析目前机器人戏剧领域的重要实践案例及理论观点为起点，阐述该项目创作新质审美观念与制作方法的关键创新点，以期分享数字艺术与机器人技术合作的方案，为科技和艺术在戏剧领域的融合发展提供新思路。

关键词: 机器人戏剧, 新媒体艺术, 人工智能, 科艺融合

Abstract:

In the context of accelerating technology-art integration and AI advancement, robotic theater has rapidly evolved as an innovative creative form with growing applications in performance arts. This article examines The City of Big Dumb Objects, China’s first new media robotic theater production, as a case study. Beginning with an analysis of significant practical cases and theoretical perspectives in robotic theater, the paper elaborates on the project’s key innovations in aesthetic concepts and production methodologies. By sharing this collaborative framework between digital art and robotic technology, the study offers fresh insights for technology-art integration within theatrical contexts.

Key words: Robotic Theater, New Media Art, Artificial Intelligence, Techno-art Integration

戴炜, 李剑锋. 科艺融合视域下机器人戏剧的实践探究——以《巨物之城》为例[J]. 上海视觉, 2025, 0(4): 172-177.

DAI Wei, LI Jianfeng. An Exploration of Robotic Theater in the Context of Science-Art Fusion: A Case Study of The City of Big Dumb Objects[J]. SHANGHAI VISION, 2025, 0(4): 172-177.

图/表 9

图1

图2

图3

图4

图5

图6

图7

图8

图9

参考文献 10

[1]	叶蓓卿. 列子[M]. 北京: 中华书局, 2011:141.
[2]	Louise LePage. "Thinking Something Makes It So": Performing robots, the workings of mimesis and the importance of character[J]. Twenty - first century drama: what happens now, 2016:279 - 301.
[3]	Louise LePage. Believing in Robots[R]. Research Report: Paper delivered for the Research Seminar in the Department of Theatre, Film and Television, University of York, 2017:6.
[4]	杨冬妮. 数字戏剧表演美学建构:理念阐发、实践路径和技术赋能[J]. 戏剧艺术, 2024 (1).
[5]	J. C. R. Licklider. "Man - Computer Symbiosis"[J]. IRE Transactions on Human Factors in Electronics, 1960, 1 (1):4.
[6]	Steve Dixon. Digital Performance:A History of New Media in Theater, Dance, Performance Art, and Installation[M]. London: The MIT Press, 2016:278.
[7]	戴炜. 机器人戏剧《巨物之城》中的人工智能辅助创作[J]. 对流 Confluent, 2023 (18).
[8]	朱春霖. 演员 —机器人协作音乐表演 —— 一种新型舞台艺术形态[J]. 人民音乐, 2023 (8).
[9]	David Lu. Ontology of robot theatre[C]// Proceedings of the workshop Robotics and Performing Arts: Reciprocal Influences. ICRA, 2012.
[10]	汉斯 - 蒂斯·雷曼. 后戏剧剧场[M]. 李亦男, 译. 北京大学出版社, 2016:228.