上海视觉

上海视觉 ›› 2025, Vol. 0 ›› Issue (4): 118-125.

• 艺术批评 • 上一篇    下一篇

重思动物形象:国产动画影视中后人文主义表征探析

崔岑   

  1. 中国传媒大学北京 100024
  • 出版日期:2025-12-20 发布日期:2025-12-22
  • 作者简介:崔岑(1998— ),女,中国传媒大学艺术研究院博士在读。研究方向为视听传播。

Rethinking Animal Images: An Analysis of Post humanistic Representation in Domestic Animation and Film

CUI Cen   

  • Online:2025-12-20 Published:2025-12-22

摘要:

在国产动画影视创作中,动物形象始终存在。发展至今,创作者笔下的动物形象塑造类型已形成了较为稳定的拟真化、拟人化、拟器化三大类型,三者以或融合或独立的方式共同见证了人类、动物、科技间关系的变迁历程。但就目前国产动画影视中的动物形象塑造来说,尚存在一些问题和伦理争议,诸如过度拟真化带来的叙事与情述匮乏、过度拟人化带来的主体认知模糊、过度拟器化带来的主体力量误认和科技盲目崇拜等。面对这些亟待回应与解答的问题,动画创作者于后人文主义思潮中找寻平衡之道,在尊重动物本真与生态站位、审慎科技伦理与持续发展、强调生命关怀与和谐共生的基础上,探微动画影视作品中动物形象塑造的中庸之道,以为社会进步与精神昂扬保驾护航。

关键词: 动画影视, 动物形象, 后人文主义, 伦理审思

Abstract:

Animal images have always been present in domestic animation and film creation. The portrayal of animal images in creators’ works has evolved into three stable types: realistic, anthropomorphic, and instrumental. These three approaches, whether integrated or independent, collectively reflect the evolving relationship between humans, animals, and technology. However, several issues and ethical controversies persist in current animal portrayals, including narrative and emotional limitations from excessive realism, subject cognition ambiguity and power misidentification from excessive anthropomorphism, and blind technological worship. In response to these pressing concerns, animation creators are seeking balance within post-humanistic frameworks. By respecting animal authenticity and ecological position, practicing cautious technological ethics and sustainable development, and emphasizing care for life and harmonious coexistence, they explore middle-ground approaches to animal representation in animation and film works to support social progress and spiritual vitality.

Key words: Animation Film and Television, Animal Imagery, Post-humanism, Ethical Considerations