上海视觉

上海视觉 ›› 2019, Vol. 0 ›› Issue (1): 111-115.

• 艺术实践 • 上一篇    

戏剧性音乐剧中木偶角色的塑造——以《狮子王》“娜娜”为例

李炜铃   

  1. 上海视觉艺术学院,上海 201620
  • 出版日期:2019-01-20 发布日期:2019-09-05
  • 作者简介:李炜铃,毕业于上海音乐学院音乐剧系,现为上海视觉艺术学院表演学院讲师。研究方向：音乐剧声乐表演与流行演唱。音乐剧代表作品:独角戏《周日恋曲》《狮子王》《猫》《爱在星光里》《杜拉拉升职记》《爱与谋杀的绅士指南》。

Portraying Puppet Characters in Musicals: Taking Nana of "The Lion King" as an Example

Li Weiling   

  • Online:2019-01-20 Published:2019-09-05

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摘要：

音乐剧是一种以戏剧为框架,音乐为灵魂,舞蹈为主要表现手段的表演形式,它是用音乐来演绎故事的一种类型。音乐剧大致分为两种类型：一是戏剧类音乐剧;二是歌舞类音乐剧。近年来,中国音乐剧市场蓬勃发展,2016年6月14日,音乐剧《狮子王》中文版在上海迪士尼度假区华特迪士尼大剧院举行了全球首演,本人作为《狮子王》中文版娜娜的扮演者,经过与总导演Julie Taymor等主创团队3个月多的排练工作,受益匪浅。此篇论文将结合本人在《狮子王》剧组学习并出演255场的实践经验,从声台形表和木偶操作方面浅析“娜娜”这一角色塑造,并简单介绍不同种类木偶的操控练习,从木偶表演的角度出发,希望能对戏剧类音乐剧表演训练有所补充。

关键词: 狮子王, 音乐剧, 木偶, 娜娜, 角色塑造

Abstract:

Musicals are a form of performance with drama as the frame, music as the soul, and dance as the main means of expression. It is a type of story interpretation with music. Among them, musicals are roughly divided into two types: drama musicals; song and dance musicals. In recent years, China's musical market has flourished. On June 14, 2016, the musical "The Lion King" of Chinese version premiered at the Shanghai Walt Disney Theater. As the role of Nala, I worked and rehearsed with Julie Taymor, director, and other team creators for more than 3 months, and greatly benefited from it. This paper makes an analysis of the character Nana from sound quality, recitation, physique, stage expressiveness and puppet operation, with combination of my practical experiences from the 255 shows, and a brief introduction to the different types of puppet control exercises, hoping to complement the performance training of drama musicals from the point of view of puppet performance.

Key words: The Lion King, Musical, Puppet, Nala, Characters

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