上海视觉

上海视觉 ›› 2024, Vol. 0 ›› Issue (1): 71-75.

• 艺术实践 • 上一篇    下一篇

中国传统绘画技法与手绘珐琅首饰设计的创新结合

邵翃恩   

  1. 上海视觉艺术学院,上海 201620
  • 出版日期:2024-02-20 发布日期:2024-07-10
  • 作者简介:邵翃恩(1983 — ),女,毕业于英国邓迪大学,硕士学位。现为上海视觉艺术学院,讲师。研究方向为珠宝与饰品设计。

An innovative combination of traditional Chinese painting techniques and enamel painted Jewelry design

SHAO Hongen   

  • Online:2024-02-20 Published:2024-07-10

摘要:

本文旨通过文献资料调研与创作实践等方法,将中国绘画传统技艺与手绘珐琅首饰创新设计相结合,分析两者结合应用的可能性和创新点。通过对比中国传统绘画技法在传统媒介与手绘珐琅在首饰材料媒介上成形的差异,评估中国绘画技法应用于手绘珐琅首饰的可行性。这既是传统工艺应用上的“再发展”,也是一种创意设计思考,为珐琅首饰设计领域提供有价值的参考案例和新的设计思路。

关键词: 中国传统绘画技法, 高温手绘珐琅, 首饰设计, 当代审美

Abstract:

The purpose of this paper is to combine traditional Chinese painting techniques with the innovative design of enamel painted jewelry by means of literature research and creative practice, and to analyze the possibilities and innovations of combining the application of the two. The feasibility of applying traditional Chinese painting techniques to enamel painted jewelry is assessed by comparing the differences between traditional Chinese painting techniques in traditional media and enamel painting in jewelry material media. This is not only a "re-development" of the application of traditional crafts, but also a kind of creative design thinking, which provides valuable reference cases and new design ideas for the field of enamel jewelry design.

Key words: Traditional Chinese painting techniques, Enamel painting techniques, Jewelry design, Contemporary aesthetic