“可视性”视角下的散文战争电影美学

上海视觉 ›› 2024, Vol. 0 ›› Issue (1): 109-114.

“可视性”视角下的散文战争电影美学

宝丽鑫

上海视觉艺术学院，上海 201620

出版日期:2024-02-20 发布日期:2024-07-10
作者简介:宝丽鑫（1982— ），女，蒙古族。法国南锡国立高等艺术与设计学院硕士学位。现为上海视觉艺术学院讲师，数字媒体艺术专业负责人。研究方向是影像与多媒体。

Aesthetics of Essay War Films from the Perspective of 'Visibility'

BAO Lixin

Online:2024-02-20 Published:2024-07-10

摘要/Abstract

摘要：

在影响电影历史，或者是影响电影的跨界领域的里程碑式的散文电影的主题中，战争虽然不是永远的主角，但是战争题材的选择与电影技术的使用直接相关。将“可视性”及“可感知性”作为一种创作的有利条件，是散文电影家们善用的表达形式，也是美学、历史及政治的关系的体现。一部散文电影，是一个不断提出问题、对于人类本体不断论证的过程，也是通过利用重现战争这一手段来进行对战争的反思、并尽可能地展开为真相而奋斗的过程。

关键词: 散文电影, 战争技术, 世界图像, 可感知性

Abstract:

“Visibility” is a prerequisite for war and also for image presentation. In milestone essay films that influence the history of film or the cross-border fields of film, although war is not the eternal protagonist, the choice of war themes is directly related to the use of film technology. Taking "visibility" and "perceptibility" as a powerful condition of creation is a form of expression that essay filmmakers make good use of, and also reflects the relationship between aesthetics, history and politics. An essay film is a process of questioning and arguing about the nature of mankind, a process of reflecting on war through the use of reenactment, and a process of struggling for the truth as much as possible.

Key words: essay film, warfare techniques, world image, perceptibility

宝丽鑫. “可视性”视角下的散文战争电影美学[J]. 上海视觉, 2024, 0(1): 109-114.

BAO Lixin. Aesthetics of Essay War Films from the Perspective of 'Visibility'[J]. SHANGHAI VISION, 2024, 0(1): 109-114.

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