上海视觉

上海视觉 ›› 2023, Vol. 0 ›› Issue (1): 97-102.

• 国际连线 • 上一篇    下一篇

从伊尔汗王朝到帖木儿时代中国纹样对波斯艺术的影响

黄维达   

  1. 上海视觉艺术学院，上海 201620
  • 出版日期:2023-01-20 发布日期:2023-09-12
  • 作者简介:Ladan Abouali（1984 — ），女，伊朗。南京林业大学博士。现任上海视觉艺术学院讲师。研究方向为文化艺术研究。
    黄维达（1979 — ），女，同济大学硕士。现任上海视觉艺术学院讲师。研究方向为环境设计。

A review of the influence of Chinese motifs on Persian art during the presents of Mongols in Iran

LADAN Abouali, HUANG Weida   

  • Online:2023-01-20 Published:2023-09-12

RichHTML

13

PDF (PC)

255

赞

摘要：

伊朗和中国有着长期的商业交往和政治联系。两国之间的大部分联系受益于中国商品外销到伊朗。贸易往来触发了两个古老文明之间的文化艺术交流，特别是在1221年，蒙古人控制了伊朗之后，两者间的艺术交流，尤其是中国对伊朗视觉艺术的影响更加快速和广泛。本文回顾了从伊尔汗王朝开始到帖木儿时代(1370—1507)，在中国和伊朗的商贸往来影响下，两国艺术纹样之间的关联性。

关键词: 中国纹样, 中国瓷器, 丝绸之路, 伊朗纹样

Abstract:

Iran and China have long-standing commercial and political relations. Most communication between these two countries was commercial through importing Chinese goods into Iran. The trade promoted the cultural and artistic exchanges between the two civilizations, especially after the Mongols took control of Iran in 1221. The exchanges between the two countries, especially the influence of China on Iranian visual arts, were more rapid and extensive. This article reviews the business communication between China and Iran from the Mongol Empire to the Timurid dynasty (from the year 1370 to 1507), and the mutual influence between the artistic patterns of the two countries.

Key words: Chinese motifs, Chinese porcelain, silk road, Iranian pattern

版权所有 © 上海视觉