上海视觉

上海视觉 ›› 2023, Vol. 0 ›› Issue (1): 71-75.

• 理论研究 • 上一篇    下一篇

书画同源 神完气足——关于书法与中国画创作的思考

陈志宏   

  1. 上海书画院,上海 200040
  • 出版日期:2023-01-20 发布日期:2023-09-12
  • 作者简介:陈志宏(1958 - ),男。上海书画院画师,上海市美术家协会会员,上海市书法家协会会员。中国极地研究中心“雪龙号”、中国商飞上海飞机设计研究院企业文化传播大使。研究方向为中国书画。

The Same Origin of Calligraphy and Painting, with Great Spirit and Remarkable Vitality: Thoughts on the Creation of Calligraphy and Chinese Painting

CHEN Zhihong   

  • Online:2023-01-20 Published:2023-09-12

摘要:

本文以中国画与书法艺术中的“书画同源”“气韵生动”为出发点,回顾笔者的师承和创作道路,略论以书入画、以画入书及笔墨技法的观点和路径。既有关于法度、深度和气度的解读,又有关于写生、写意的阐释。认为应更加重视书法与中国画的笔墨精神、写意精神。

关键词: 中国画, 书法, 气韵, 神气, 意境

Abstract:

This article takes “the same origin of calligraphy and painting” and “atmosphere of life and vitality” in Chinese painting and calligraphy as the starting point, then reviews the author’s techniques inherited from his mentor and his path to creation, and finally discusses the viewpoints and method of fusing calligraphy into painting, painting into calligraphy, and various brush and ink techniques. The article interprets not only the rules, depth and inclusiveness of calligraphy and Chinese painting, but also sketching and freehand brushwork, which calls for more attention to the spirit of brush and ink and the spirit of freehand brushwork in calligraphy and Chinese painting.

Key words: Chinese painting, calligraphy, atmosphere, the spirit, ideorealm