上海视觉

上海视觉 ›› 2023, Vol. 0 ›› Issue (1): 52-57.

• 艺术批评 • 上一篇    下一篇

电影《四个春天》的“私影像”属性与审美价值探析

李晓婷 , 蔡兴水   

  1. 上海戏剧学院,上海 200040
    上海视觉艺术学院,上海 201620
  • 出版日期:2023-01-20 发布日期:2023-09-12
  • 作者简介:李晓婷(1996 — ),女。上海戏剧学院戏剧与影视学硕士研究生在读。研究方向为编剧学理论。
    蔡兴水(1964 — ),男。复旦大学博士。现为上海视觉艺术学院教授,上海戏剧学院硕士生导师。研究方向为戏剧影视理论、创意文化及艺术理论。

A Tentative Analysis of the Attribute of “Personal Video Film” and Aesthetic Value of the Film Four Springs

LI Xiaoting , CAI Xingshui   

  • Online:2023-01-20 Published:2023-09-12

摘要:

《四个春天》是导演陆庆屹以真实家庭生活为背景所创作的一部“私影像”电影,其以四个春天为时间跨度讲述了导演生活于贵州独山县父母的生活点滴。从“私影像”角度出发可以发现《四个春天》具有多近景镜头、采用参与式拍摄、私域情感表达与公众传播联通等特征,考察其审美价值可知它具有叙事节奏随意松散、重复运用燕子意象与民间音乐、以爱情亲情乡愁为主题、使用唯美空镜的特点。影片采用“私影像”模式以第一人称视角区别于其他影像载体,指向家庭与故乡记忆、亲情、生老病死与人生归处等文化意义,从个人家庭日常生活的影像展示发展成为引起了公众普遍共鸣的文化表达,表现出极强的人文主义关怀。

关键词: 四个春天, 私影像电影, 审美价值

Abstract:

Four Springs is a "personal video film" created by director LU Qingyi with real family life as the background. It unfolds bits of the routine life of the director’s parents living in Dushan County, Guizhou Province over a time span of four spring seasons. From the perspective of “personal video film”, it can be found that Four Springs has the characteristics of multiple close-up shots, participatory shooting, private emotional expressions connected with public communication. Examining its aesthetic value reveals the following features: a random and loose narrative rhythm and a peated use of the symbol of the swallow image and folk music, choosing love, family affection and nostalgia as the theme, and the employment of aesthetic empty mirror shooting. The film adopts the “personal video film” mode, distinguishes it from other types of film carriers by doing it from the first-person perspective, and bearing cultural meanings such as family and hometown memories, family ties, a man’s life experiences from cradle to grave, and sense of belonging. The film has developed from a visual display of personal family’s daily life to a cultural expression that resonates with the public in general, thus showing the director’s strong humanistic concern.

Key words: Four Springs, personal video film, aesthetic value