上海视觉

上海视觉 ›› 2022, Vol. 0 ›› Issue (1): 85-90.

• 艺术实践 • 上一篇    下一篇

谈文物修复技艺的多元化——以青铜器修复为例

冯向伟, 万俐   

  1. 南京博物院,南京 210016
  • 出版日期:2022-01-20 发布日期:2022-09-02
  • 作者简介:冯向伟(1984– ),男。毕业于南京大学,学士学位。现为南京博物院馆员。研究方向为金属文物保护。
    万俐(1956– ),男。毕业于南京师范大学,学士学位。现为南京博物院研究馆员。研究方向金属文物保护。

On the Diversification of Cultural Relic Restoration Techniques: A Case Study of Bronze Restoration

FENG Xiangwei, WAN Li   

  • Online:2022-01-20 Published:2022-09-02

摘要:

本文以青铜器修复技艺的演进为例,探讨文物修复技艺的多元化。青铜器修复的复原、保护、复制、文创、研究、鉴定六个方面的技艺,展示了第四代北京派上海传人王荣达先生在传承技艺的同时,所进行的技术创新。其在技艺传承上,首先着重培养学生制作工具和绘制青铜器纹饰图案等基本功。文章认为只有具备扎实的功底,才能为开展青铜器修复多元化技艺,打下坚实基础。

关键词: 青铜器, 修复, 文创, 鉴定, 铸造

Abstract:

This article takes the development of bronze restoration techniques as an example to discuss the diversification of cultural relic restoration techniques. The six techniques including restoration, protection, reproduction, cultural creation, research, and identification of bronze demonstrate the technical innovations carried out by Mr. WANG Rongda, the fourth-generation Beijing-style Shanghai heir while he was passing down the special techniques to his students. In the aspect of skill inheritance, Mr. Wang focuses on cultivating their basic skills such as making tools and drawing patterns on bronze ware. It is his belief that only with a solid foundation can they lay a solid foundation for the development of diversified bronze repair skills.

Key words: bronzes, restoration, cultural creation, identification, casting