关键词: 阿斯塔那哈拉和卓古墓, 联珠纹对称人、物组合图案, 艺术渊源

Abstract:

During the Jin to Tang Dynasties, the textiles unearthed from the Astana-HaraHozuo tomb complex in Turpan, Xinjiang, are still bright in color after about a thousand years’ burial underground. The motif of the beads on them is even more colorful, especially for the textile patterns which combine high nosed and sunken eyed Hunni people with hand-held utensils in the main, whose major themes of activities include men leading camels, drinking, playing music, hunting, etc. The study reveals that these textile patterns not only have the typical characteristics of Western culture, but also have a certain connection with the westward spread of the Central Plains culture and the traditional symmetrical composition concept. To be specific, the artistic origin of the combination of people and objects in the symmetrical brocade and bead pattern is ancient and complex, as the foreign factors on the brocade are related to the introduction and development of the bead pattern, and also related to the Sassanian brocade and the "Sassanian" brocade of Central Asia. The communication of commerce and trade demonstrates the tolerance attitude Chinese culture adopts towards foreign objects and culture. Many factors of the brocade in the culture of Han Nationality are also related to the spread of Central Plains culture to the west.

Key words: the Astana-HaraHozuo tomb complex, the symmetrical combination pattern of people and objects with the beads pattern, the origin of art