上海视觉

上海视觉 ›› 2021, Vol. 0 ›› Issue (1): 63-65.

• 理论研究 • 上一篇    下一篇

浅析元代人物戏狮纹玉带板的图像内涵——以故宫博物院藏品为例

李玥   

  1. 西安美术学院,西安 710065
  • 出版日期:2021-01-20 发布日期:2021-01-20
  • 作者简介:李玥（1997– ）,女。毕业于西安美术学院,艺术学学士。西安美术学院艺术学理论专业研究生在读,主要研究方向为中国美术史。

A Tentative Analysis of the Image Connotation of the Jade Belt Plate with the Lion Dance Pattern in the Yuan Dynasty:A Case Study of the Collection of the Palace Museum

LI Yue   

  • Online:2021-01-20 Published:2021-01-20

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摘要：

人物戏狮纹自宋代始用于官员的带銙之上,并时兴于元、明两朝。人物戏狮纹玉带板被用作皇帝和官僚贵族佩饰,不仅是等级和地位的象征,也是元朝国力和宗主国地位的反映。本文试对故宫博物院所藏元代人物戏狮纹玉带板的图像内涵进行解读,从中分析元人的治玉思想。

关键词: 元代, 玉带板, 戏狮纹

Abstract:

The lion dance pattern began to be used on officials' belts in the Song Dynasty, and became fashionable in the Yuan and Ming dynasties. The jade belt plates with the lion dance pattern were used as the ornaments by the emperor and the bureaucratic aristocracy. It was not only a symbol of rank and status, but also a reflection of the national power of the Yuan Dynasty and the status of the sovereign state. This article attempts to interpret the image connotations of the jade belts with the lion dance pattern in the Yuan Dynasty collected in the Palace Museum, and analyze the Yuan Dynasty people’s mental workings in the process of jade-making.

Key words: Yuan Dynasty, jade belt plate, lion dance pattern

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