上海视觉

上海视觉 ›› 2018, Vol. 0 ›› Issue (2): 28-32.

• 理论研究 • 上一篇    下一篇

龟兹壁画艺术形成过程研究

李娜   

  • 出版日期:2018-02-20 发布日期:2019-10-18
  • 作者简介:李娜,上海视觉艺术学院美术学院。2016年毕业于中国美术学院壁画系,硕士。研究方向为古代壁画修复与保护

Study on the Formation Process of Kuchai Mural Art

Li Na   

  • Online:2018-02-20 Published:2019-10-18

摘要:

龟兹壁画艺术的形成过程比较复杂,具有鲜明的民族特征和地域特色,在艺术形式和表现手法上显得活泼自由,与同时期石窟壁画艺术形式形成鲜明的对比。本文从历史、文化、民俗、外来艺术借鉴等方面,对龟兹壁画艺术形成过程展开深入探究和剖析,从而证实龟兹壁画艺术不仅仅只是印度、中亚诸国艺术大综汇的产物,而是具有独特艺术语言与审美观的文化瑰宝,在世界艺术史上也是独一无二的。

关键词: 石窟分期, 多元文化, 民俗与乐舞, 犍陀罗

Abstract:

The formation process of Kuchai mural art, with distinctive national characteristics and regional characteristics, is relatively complex. It is lively and free in art forms and expressions, and it contrasts with the art forms of grottoes in the same period. This article explores and analyzes the process of the formation of Kuchai mural art from the aspects of history,culture , folk customs, and foreign art, thus it is confirmed that Kuchai mural art is not only the product of the great synthesis of Indian and Central Asian art. It is a cultural treasure with unique artistic language and aesthetic value. It is also unique in the history of world art.

Key words: Grottoes, stagedance, Multiculturalism, folklore and music and dance, Gandhara