上海视觉

上海视觉 ›› 2026, Vol. 0 ›› Issue (2): 166-174.

• 新锐观点 • 上一篇    下一篇

身体作为媒介:艺术观念与创作方法探究

方民, 谢海峰   

  1. 成都大学成都 610106
  • 出版日期:2026-06-20 发布日期:2026-07-20
  • 作者简介:方民(1991— ),男,清华大学艺术学博士,成都大学美术与设计学院讲师。研究方向为艺术与科技、当代艺术。
    谢海峰(1988— ),男,泰国易三仓大学哲学博士,成都大学美术与设计学院讲师。研究方向为美术教育。
  • 基金资助:
    成都大学中国-东盟艺术学院学科科研成果资助项目“身体作为媒介:艺术观念与创作方法探究”(2026)

The Body as a Medium: An Exploration of Art Concepts and Creation Methods

FANG Min, XIE Haifeng   

  • Online:2026-06-20 Published:2026-07-20

摘要:

在技术重构人类存在经验的当代语境下,身体已演变为一个汇聚生物性、社会性与技术性的复杂场域。本文以唐·伊德的“身体三层理论”为框架,探讨身体从物质实体、符号载体以及技术融合体的演变轨迹。如生物身体作为知觉基础,在技术介入后感知方式与本体论地位的变革;社会身体在虚拟与现实的交织中,成为身份认同与权力协商的新界面;技术身体在人与技术的辩证关系里,所呈现的延伸和异化风险。文章透过艺术创作所特有的敏感性与批判精神,聚焦技术理性对身体经验的塑造过程,追问如何在技术融合中保持身体的丰富与人性的完整等问题,最终指向技术环境中诗意栖居的存在之思。

关键词: 身体, 知觉体验, 符号建构, 媒介技术

Abstract:

In the contemporary context where technology is reconfiguring human existential experience, the body has evolved into a complex field converging biological, social, and technological dimensions. Framed by Don Ihde’s threefold theory of the body, this article examines the body’s evolution from a material entity to a symbolic carrier and, ultimately, to a technological hybrid. It explores, for instance, how the biological body, as the foundation of perception, undergoes transformations in its modes of perception and ontological status following technological intervention; how the social body, within the interweaving of the virtual and the real, becomes a new interface for identity negotiation and power dynamics; and how the technological body, within the dialectical relationship between humans and technology, presents both possibilities for extension and risks of alienation. Through the unique sensitivity and critical spirit inherent in artistic practice, the article focuses on the process through which technological rationality shapes bodily experience, interrogating how to preserve the richness of the body and the integrity of humanity within technological fusion. This inquiry ultimately points towards a meditation on existence—the pursuit of poetic dwelling within technological environments.

Key words: body, perceptual experience, symbolic construction, media technology