上海视觉

上海视觉 ›› 2025, Vol. 0 ›› Issue (2): 10-16.

• 理论研究 • 上一篇    下一篇

舆图勘绘到山水图画的转变考究

王厚涵, 赫云   

  1. 东南大学,南京 211189
  • 出版日期:2025-06-20 发布日期:2025-07-03
  • 作者简介:王厚涵(1992— ),男,东南大学艺术学院博士在读。研究方向为艺术学理论。
    赫云(1971— ),女,天津师范大学文学博士,东南大学艺术学院教授,博士生导师。研究方向为艺术学理论、比较艺术学研究。

Investigation of the Transformation from Cartographic Mapping to Shan-shui Painting

WANG HOUHAN, HE YUN   

  • Online:2025-06-20 Published:2025-07-03

摘要:

山水图画衍生自地理勘测和舆图绘制,其功能属地图的分流,呈现出游移山水、“铺展”构图、山水形貌的测绘特质。其特质由多点勘测、“区间”图式、山水图例逐步演化而来,并在魏晋游赏山水的需求下发生艺术性转变,进而在唐宋及其后逐步融于山水画论中,成为山水画的绘制诀窍、技法、主题等。由舆图勘绘到山水图画的转变,在已有地图学与艺术学的交叉研究积淀下再现端倪,进一步的考究也成为可能,依此能厘清舆图勘绘与山水图画的源流关系,剖析舆图勘绘技法转为山水图画勘绘特质的要素,以明晰山水画论、画题等中的勘绘属性,进而证实舆图勘绘到山水图画的艺术性蜕变过程。

关键词: 山水图画, 舆图, 形貌, 游移

Abstract:

Shan-shui paintings evolved from geographical surveys and cartographic mapping, with functions derived from maps exhibiting travelling landscape characteristics, "spreading" composition, and topographic features. These characteristics gradually evolved from multi-point surveying, "sectional" patterns, and landscape symbols and underwent artistic transformation under the demands of Wei-Jin Dynasty landscape appreciation. They were subsequently integrated into landscape painting theories during the Tang-Song periods and beyond, becoming painting techniques, methods, and themes. This transformation becomes apparent through existing cross-disciplinary research between cartography and art, making the investigation of the transformation from cartographic mapping to Shan-shui painting possible. This helps clarify the relationship between cartographic mapping and Shan-shui painting, analyze the elements that transformed mapping techniques into Shan-shui painting characteristics, and illuminate the surveying attributes in landscape painting theories, techniques, and subjects, thereby confirming the artistic metamorphosis from cartographic mapping to Shan-shui painting.

Key words: Shan-shui Painting, Cartography, Topography, Traveling Scope