上海视觉

上海视觉 ›› 2024, Vol. 0 ›› Issue (3): 60-64.

• 艺术批评 • 上一篇    下一篇

《琵琶记》主旨“失吾故”说献疑——兼论高明的隐逸观

王伟   

  1. 上海师范大学,上海 200234
  • 出版日期:2024-10-20 发布日期:2024-12-27
  • 作者简介:王伟(1986—),男,上海师范大学博士,上海师范大学影视传媒学院讲师,研究方向为戏曲史、曲艺史。
  • 基金资助:
    教育部人文社会科学研究青年基金项目“昆曲的传播与流变研究”(23YJC760153);2023年上海高校青年教师培养资助计划“曲艺史课程思政教育元素研究”(307-AC0102-23-005601)

Rebutting The Theory of "Losing Myself" About Pipaji: On Gao Ming’s Concept About Seclusion

WANG Wei   

  • Online:2024-10-20 Published:2024-12-27

摘要:

《琵琶记》主旨历来存有争议。张勇风《〈琵琶记〉主旨“隐喻说”探微》一文根据作者高明去职后曾言“不失吾故”,认为《琵琶记》主旨为后悔入仕。然而,这一观点却是值得商榷的。高明从未真正地与官场诀别,一般认为的他晚年厌倦仕途也不符合事实。高明所谓“不失吾故”,是指其未经建功立业的过程而直接实现了谈诗论道、恣情山水的理想生活,背后隐藏的是功成身退的隐逸观。功成身退的观念在当时社会非常流行,是儒家进取传统与元末隐逸精神相结合的产物。

关键词: 《琵琶记》, 高明, “不失吾故”, 隐逸观

Abstract:

The theme of Pipaji has always been controversial. According to the author Gao Ming's "no losing of myself", Zhang Yongfeng believes that the theme of Pipaji is Gao Ming regretted for being an official. However, this view is open to question. Gao Ming never really said goodbye to officialdom. It is also not true that he wanted to leave officialdom in his later years. Gao Ming's "no losing of myself" means that without the process of doing meritorious deeds, he directly realized his ideal life of talking about poetry and enjoying the scenery. It reflects Gao Ming’s concept of retiring after winning merit. The concept of retiring after winning merit was very popular at that time, which was the result of the concept of Confucian enterprising tradition and the concept of seclusion at the end of Yuan Dynasty.

Key words: Pipaji, Gao Ming, "no losing of myself", the concept about seclusion