上海视觉

上海视觉 ›› 2017, Vol. 0 ›› Issue (2): 31-34.

• 学术研究 • 上一篇    下一篇

勇于挑战的电影摄影大师——《荒野猎人》摄影分析

方景锋   

  • 发布日期:2019-10-17
  • 作者简介:方景锋 上海视觉艺术学院 讲师

Pioneering Cinematographer—An analysis on the cinematography of The Revenant

Fang Jingfeng   

  • Published:2019-10-17

摘要: 电影《荒野猎人》的摄影师是纪实摄影先锋艾曼努尔•卢贝兹基,他是首位连续三届奥斯卡最佳摄影获得者,当代好莱坞最伟大的摄影师之一。卢贝兹基之所以能够成为伟大的摄影师是在于:敢于挑战,勇于创新。在电影《荒野猎人》中的创新:一、用长镜头拍摄紧张、激烈的动作戏;二、放弃人工灯光的使用,完全用自然光拍摄,这是大胆的举措。正是由于像卢贝兹基这样的电影摄影师的不断创新和挑战,才有了电影的突破,才有了电影的发展,才有了电影一次次的辉煌。这也是电影这门艺术在百年后仍能长盛不衰的不竭动力。

关键词: 电影摄影, 长镜头, 自然光, 场面调度

Abstract: As the photographer of The Revenant, Emmanuel Lubezki, a pioneer in documentary photography, is the first winner of three consecutive Oscar awards for the best photographer one of the greatest photographers in today’s Hollywood. His courage and pursuit of innovation have him a great photographer. In The Revenant, Lubezki has made two innovations, the first of which is to shoot intense action scenes with a long shot; the second, to replace artificial lighting with natural light, which was a bold move. It is because of the constant innovation of film photographers like Lubezki that have made breakthroughs in, fueled the development of and achieved great accomplishments for the film industry, which have also been the unremitting driving force for the art of film-making since its birth 100 years ago.

Key words: Cinematography, long shots, natural light, scene scheduling