上海视觉

上海视觉 ›› 2024, Vol. 0 ›› Issue (2): 98-104.

• 教学探索 • 上一篇    下一篇

新中国戏曲编剧人才培养的一次有益探索——1956年上海市文化局戏曲编剧训练班考论

王方好, 梁芝榕   

  1. 上海师范大学,上海200234
  • 出版日期:2024-02-20 发布日期:2024-09-27
  • 作者简介:王方好(1994— ),男,上海师范大学2021级博士研究生。研究方向为中国俗文学、 戏曲历史与理论。
    梁芝榕(1994— ),女,上海师范大学2023级博士研究生。研究方向为中国俗文学、戏曲历史与理论。
  • 基金资助:
    国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(上海卷)”阶段性成果(19ZD04)

A Beneficial Exploration on the Training of Chinese Opera Writers in the People's Republic of China: A Study on the Training Class for Chinese Opera Writers of Shanghai Municipal Bureau of Culture in 1956

WANG Fanghao, LIANG Zhirong   

  • Online:2024-02-20 Published:2024-09-27

摘要:

1956年上海市文化局开办的“戏曲编剧训练班”是中华人民共和国成立后上海市开办的第一个以“培养戏曲编剧”为目标的戏曲教育组织。由于史料相对稀见,故而鲜有学者对此次训练班作出细致完整的考述。通过对上海市档案馆所藏的档案史料进行爬梳,旨在还原此次训练班的真实面貌。上海市文化局戏曲编剧训练班的开办不仅极大地提升了广大学员的创作素养与编剧水平;也带动全国各省市出现开办编剧训练班的热潮;同时也为新中国戏曲编剧人才培养提供了可资借鉴的经验。其在戏曲编剧人才培育过程中所积淀下来的特色经验,值得当下戏曲教育的组织者加以借鉴与发扬。

关键词: 戏曲编剧, 上海市文化局, 新中国, 训练班, 历史贡献

Abstract:

The "Training Class for Chinese Opera Writers" established by Shanghai Municipal Bureau of Culture in 1956 was the first Chinese opera education organization in Shanghai after the establishment of the People's Republic of China with the mission of "cultivating Chinese opera writers". Due to the relatively rare historical records, few scholars have provided detailed and complete explanations for this training course. By combing through the historical archives collected by the Shanghai Archives, this paper aims to restore the true appearance of this training course. The establishment of the Shanghai Municipal Bureau of Culture Drama Writing Training Class not only greatly improved the writing literacy and creative level of the majority of students; but also prompted the emergence of a craze for setting up screenwriting training classes in various regions; additionally, it provided valuable experience for the cultivation of talents in Chinese opera screenwriting. The unique experience accumulated in the process of cultivating talents for traditional Chinese opera writers is worth learning from and promoting by the organizers of contemporary Chinese opera education.

Key words: Chinese opera writers, Shanghai Municipal Bureau of Culture, The People's Republic of China, training classes, historical contributions