Abstract:

Dongba painting is an important carrier of Dongba culture in Nakhi people. It is often used in various religious activities and has a strong religious color from Dongba religion. Dongba painting can be divided into wooden card painting, card painting, scroll painting, scripture painting, etc. It is a full reflection of Dongba's cultural and artistic characteristics and style, it is also a precious historical and cultural heritage that embodies the wisdom of Nakhi People's ancestors. This article takes the card painting in Dongba painting as the object of discussion, starting from the construction logic of art history and the perspective of painting standard language, to further explore the religious and“Hieroglyph and painting” in the direction of the symbolic features of the dimensions, to explore the image of the independence, referential, and the relationship with historical interpretation,It is expected to conduct a brand-new conceptual analysis and interpretation of the form and aesthetic meaning of Dongba card painting beyond its national and historical significance.

Key words: Card painting, form, aesthetics