Abstract:

The naming of Inner Mongolia films is not based on the identity of ethnic minority, but an aesthetic naming way based on turning to cultural space and creating images from the point of view of Inner Mongolia’s regional cultural standpoint. As an important media carrier to explain landscape culture in the northern territory, Inner Mongolia films construct a heterogeneous frontier image filled with imagination for the audience by virtue of the reflection of natural landscapes in the northern territory, the demonstration of folk customs in Inner Mongolia and the writing of mirror image of space in Inner Mongolia. In addition, Inner Mongolia films finally show the unique cultural characteristics of the Inner Mongolia by describing the living conditions of the people, highlighting the multi-dimensional ethnic culture, and showing the integration of ethnic identity and national identity. Seventy-odd years of creation of Inner Mongolia films proves that constructing frontier imagination and presenting local culture is its eternal content and firm cultural standpoint.

Key words: Inner Mongolia film, the imagination of the northern territory, Inner Mongolia culture